{"id":7089,"date":"2026-05-19T11:42:00","date_gmt":"2026-05-19T08:42:00","guid":{"rendered":"http:\/\/test.ide.org.tr\/?p=7089"},"modified":"2026-10-02T11:43:58","modified_gmt":"2026-10-02T08:43:58","slug":"prof-dr-cihan-okuyucu-besir-ayvazoglu-ask-estetigi","status":"publish","type":"post","link":"https:\/\/test.ide.org.tr\/index.php\/2026\/05\/19\/prof-dr-cihan-okuyucu-besir-ayvazoglu-ask-estetigi\/","title":{"rendered":"Prof. Dr. Cihan Okuyucu & Be\u015fir Ayvazo\u011flu: A\u015fk Esteti\u011fi"},"content":{"rendered":"\n

T\u0130BU Yaz Okulu\u2019un ilk g\u00fcn\u00fcnde ger\u00e7ekle\u015ftirile oturumda, Prof. Dr. Cihan Okuyucu moderat\u00f6rl\u00fc\u011f\u00fcnde, T\u00fcrk edebiyat\u0131n\u0131n g\u00fczide \u015fair ve yazarlar\u0131ndan Be\u015fir Ayvazo\u011flu ile \u201cA\u015fk Esteti\u011fi\u201d kitab\u0131 \u00fczerine \u201c\u0130slam, Sanat ve Estetik\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda ufuk a\u00e7\u0131c\u0131 bir s\u00f6yle\u015fi ger\u00e7ekle\u015ftirildi.<\/p>\n\n\n\n

Konu\u015fmas\u0131na, bu eserin ortaya \u00e7\u0131k\u0131\u015f\u0131na vesile olan hat\u0131ralar\u0131 ve kendisinde iz b\u0131rakan \u015fairleri anlatarak ba\u015flayan Ayvazo\u011flu, Antik Yunan\u2019\u0131n komedi ve trajedi merkezli sanat anlay\u0131\u015f\u0131 ile insan\u0131 mana, hikmet ve tefekk\u00fcre \u00e7a\u011f\u0131ran \u0130slam sanat telakkisi aras\u0131ndaki temel farka temas etti.<\/p>\n\n\n\n

\u0130slam sanat\u0131 yaln\u0131zca g\u00f6ze hitap eden bir estetik de\u011fil, insan\u0131 g\u00f6r\u00fcnenin \u00f6tesindeki hakikate y\u00f6nelten bir idrak bi\u00e7imidir.<\/p>\n\n\n\n

Louis Massignon\u2019un tasavvufi okumalar\u0131ndan hareketle, sanat yaln\u0131zca duyular d\u00fcnyas\u0131na hapsedilemez; hakiki sanat insan\u0131 e\u015fyan\u0131n ard\u0131ndaki manaya ula\u015ft\u0131r\u0131r. Bu sebeple \u0130slam sanat\u0131, suretten sirete, g\u00f6r\u00fcnenlerden g\u00f6r\u00fcnmeyene do\u011fru yap\u0131lan manevi bir yolculuktur.<\/p>\n\n\n\n

Teknolojinin geli\u015fmesiyle birlikte soyut sanat\u0131n zay\u0131flad\u0131\u011f\u0131na dikkat \u00e7eken Ayvazo\u011flu, sanat ile zanaat aras\u0131ndaki ince fakat hayati ayr\u0131ma temas etti. Sanat tabiata yeni bir mana ve yeni bir yorum katmakt\u0131r; mevcut olan\u0131 yaln\u0131zca taklit etmek ise sanat de\u011fil, zanaatt\u0131r. Hakiki sanatk\u00e2r, tekni\u011fi tekrar eden de\u011fil; ruh, mana ve \u00f6zg\u00fcnl\u00fck in\u015fa eden ki\u015fidir.<\/p>\n\n\n\n

Gelene\u011fin yaln\u0131zca ge\u00e7mi\u015ften devral\u0131nan bir miras de\u011fildir. Bir medeniyetin kendini koruyarak yenileme kudretidir. Bu sebeple as\u0131l sanat, gelene\u011fi tekrar etmek de\u011fil; onu anlayarak yeniden \u00fcretmek ve gelece\u011fe ta\u015f\u0131yabilmektir.<\/p>\n\n\n\n

S\u00f6yle\u015finin hitam\u0131nda estetik terbiyesiyle yo\u011frulan bir ruhun, g\u00fczeli g\u00f6rebilen, hissedebilen ve \u00e7o\u011faltabilen bir idrake sahip olaca\u011f\u0131; medeniyetlerin de ancak b\u00f6yle bir letafet ve mana d\u00fcnyas\u0131 \u00fczerine in\u015fa edilece\u011fi ifade edildi.<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

T\u0130BU Yaz Okulu\u2019un ilk g\u00fcn\u00fcnde ger\u00e7ekle\u015ftirile oturumda, Prof. Dr. Cihan Okuyucu moderat\u00f6rl\u00fc\u011f\u00fcnde, T\u00fcrk edebiyat\u0131n\u0131n g\u00fczide \u015fair ve yazarlar\u0131ndan Be\u015fir Ayvazo\u011flu ile \u201cA\u015fk Esteti\u011fi\u201d kitab\u0131 \u00fczerine \u201c\u0130slam, Sanat ve Estetik\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda ufuk a\u00e7\u0131c\u0131 bir s\u00f6yle\u015fi ger\u00e7ekle\u015ftirildi. Konu\u015fmas\u0131na, bu eserin ortaya \u00e7\u0131k\u0131\u015f\u0131na vesile olan hat\u0131ralar\u0131 ve kendisinde iz b\u0131rakan \u015fairleri anlatarak ba\u015flayan Ayvazo\u011flu, Antik Yunan\u2019\u0131n komedi … <\/p>\n

“Prof. Dr. Cihan Okuyucu & Be\u015fir Ayvazo\u011flu: A\u015fk Esteti\u011fi”<\/span>devam\u0131n\u0131 oku<\/a><\/p>\n","protected":false},"author":1,"featured_media":7055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","postBodyCss":"","postBodyMargin":[],"postBodyPadding":[],"postBodyBackground":{"backgroundType":"classic","gradient":""},"footnotes":""},"categories":[37,34],"tags":[],"class_list":["post-7089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mutefekkir-kampi-2026","category-yaz-kamplari"],"gutslider_comments":0,"_links":{"self":[{"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/7089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/comments?post=7089"}],"version-history":[{"count":1,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/7089\/revisions"}],"predecessor-version":[{"id":7090,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/7089\/revisions\/7090"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/media\/7055"}],"wp:attachment":[{"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/media?parent=7089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/categories?post=7089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/test.ide.org.tr\/index.php\/wp-json\/wp\/v2\/tags?post=7089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}